Debido a la mezcla de los pueblos aquí hay música erudita, popular brasileña, rock, rap, "chorinho", samba. ¡Samba, sí señor! ..."Miente quien dice que São Paulo no entiende del asunto, pues la samba está en la vena pulsante y en el corazón del poeta. São Paulo es la síntesis del Brasil", João Nogueira (cantor y compositor carioca).
São Paulo es un auténtico pot-pourri. Compositores y cantores no faltan: Luiz Tatit, Itamar Assumpção, José Miguel Wisnik, Arnaldo Antunes, Paulo Vanzolini, Edvaldo Santana, Walter Franco, Rita Lee, Renato Teixeira, Demonios da Garoa y Adoniran Barbosa. Cada uno con su style propio, pero all in São Paulo. ¿Lo quiere divided by categories? Veamos:
Modinhas: Paraguassú (Roque Ricciardi) y Marcelo Tupinambá (Fernando the Lob).
Music Regional: Mario Zan, Cornelio Pires, Tonic Tinoco y y y Ranchinho Alvarenga.
Vals: Erotides Field .
Choro: Zequinha de Abreu. Guitarist: boy (Anibal Augusto Sardinha) y Lefty (Americo Giacomino)
Classical: Carlos Gomes, Guiomar Novaes, Magdalena Tagliaferro, Antonietta Rudge.
Orchestra: State Symphony Orchestra of São Pau it.
Although not many musicians from São Paulo São Paulo made his main stage. In the 60's, the festivals of the old TV Excelsior, São Paulo, the first to promote them, were of great importance in this decade. The song "Arrastão" by Edu Lobo and Vinicius de Moraes, Elis Regina, won first place in 1965. Record TV in 1966, also in São Paulo, joined Brazilian music festivals. The winner of that year was Chico Buarque with "A Banda" and "Fired" by Geraldo Vandré and Teo de Barros, Jair Rodrigues, tied.
Now, you're wondering if there is someone more face São Paulo. See You: Adoniran Barbosa. A talent that translates a spirit, a time and certain places in the city of São Paulo. Not to mention the Italian accent mixed with the Brazilian who was in what you see: Adoniran unmistakable music.
to know a little more detail the melodies more features of this region is of interest to explain a bit "The modinha" which is a very typical genre of Brazil with Portuguese roots. In the seventeenth century and was played in the streets of Bahia, for what is considered the first genre of Brazilian popular music.
Fashion arrived in Brazil by the Portuguese colonization. It was a kind of song melody and courtesan, who had great success in the salons of Portugal in the seventeenth century. Therefore, to arrive in Brazil, was an aristocrat and scholar gender. Slowly, the genre began to be popularly accepted in the eighteenth century, Domingos Caldas Barbosa composed some modinhas that achieved wide circulation.
The modinha began taking larger own, different from fashion, product enrichment with indigenous cultures and African
. For example the use of more complex and syncopated rhythms, female end of sentence and a richer harmony to the use of delays and anticipations.
addition to being played in classrooms, began to be played on the streets, as a serenade. Due to its popularity, the lines were often composed of guitarists or seresteiros (musicians serenade) anónimos.La lyrics are romantic and sentimental. Many times it was a declaration of love. The music is quiet and melodic character.
At first serenade was played in only with guitar and vocals, and then were incorporating more instruments like flute and cavaquinho. Predominates in the minor and tempos moderados.Hasta the eighteenth century used measures of 2 / 4 or 4 / 4, but in the early nineteenth century, the influence of the waltz, many came to 3/4.La modinha modinhas never had fixed formal structure. May or may not introduction and coda. May have two or three main parts. The tonal plan is also variable, although the most common is the major mode shift in the central section of the work.
As to choro, (in Portuguese, weeping or crying), popularly called chorinho, is a musical genre popular and instrumental music in Brazil, with over 130 years old. The groups that run it are called regionais (regional), and the musicians, composers and instrumentalists, are called chores. Choro is considered the first urban folk music typical of Brazil and its implementation is very difficult.
Despite the name, the pace is usually busy and happy, characterized by the virtuosity and improvisation of the participants, who need to keep studying and technical and instrumento.El full command of their regional group is generally composed of a or more solo instruments like the flute or mandolin, running the melody, along with the cavaquinho (a specific instrument of Portuguese music) that makes the heart rhythm, and one or more guitars (among which stands out for its uniqueness seven strings), as well as a marker pandeiro rhythm.
As musical form probably arose in mid-1870, in Rio de Janeiro, and in that home was only considered an indigenous form of play foreign rhythms that were popular at that time, as the waltz and the European chotis, and mostly polka, or African as lundu.El flutist Joaquim Calado is considered one of the creators of Choro, or at least one of his top aides in the determination of gender, when he included the solo flute, two guitars and a small guitar.
is freely improvised around the melody, which is a feature of modern choro. Choro was strongly influenced by the rhythms of the dances, which at first they were just interpreted differently, taking several decades to be considered a musical genre propio.Algunos right of the mussels (mussels or interpreters) most popular are Chiquinha Gonzaga Ernesto Nazareth and Pixinguinha. Well-known pieces are "Tico-Tico no Fubá" of Zequinha de Abreu, "Brasileirinho" Waldir Azevedo, "Noites Cariocas" by Jacob do Bandolim and especially "Carinhoso" of Pixinguinha.Entre the works of composer Heitor Villa-learned Lobos mussels cycle is considered the most significant.
... and lastly we must not forget to draw some traces of samba , this rate so that makes Brazil Brazilian international is an image of pure smile and rhythm continuous, promoting the happiness of its people and their land. The samba is a dance with music by the rate of 2 times 8 which makes instruments such as drum, chocalho, the reco-reco and Cabacés. Every year dance in the Carnival in Rio de Janeiro. There are several styles from samba to start baiona through the chanting. For football fans, Brazilian dancers are a symbol of the joy of the Brazilian game.
"La Samba" is a term that encompasses more than 100 different modes of Brazilian dance brought to Brazil by African immigrants, particularly those of the Bantu tribes. The Samba has its origins in ritual dances africanos.Muchos
folk dance developed from the "round dances" of the slaves, the new environmental conditions and the arrival of European influences Colonialización, especially after avolition of slavery in 1888 (concentrated in Rio de Janeiro, Bahia and Sao Paulo). 
The popularity of Brazilian dance increased in all sections of the population, especially during Carnival. Around 1914, was the forerunner of the Samba, the Maxixe to Europe. It was not until 1924 that came to Europe, in Samba from 1930 along with increasing industrialization in Brazil, was also an intense marketing of folk music. The samba was considered in 1949 a ballroom. However, the Samba danced in Europe was much simpler and did not have the grace of the original Samba. Samba dancers in central Europe have great difficulty learning innate movements of South America. How to dance. Couples can dance in one place, double lines or along the track. Can be separated to dance alone. To truly Samba, a dancer must give gay and exuberant performances in addition to the hard pumping SHIMMIE hip and shoulders. Without this, the samba dance can not be named.
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